Now you’ll enter an installation by Rudolf Leitner-Gründberg, the so-called “Exodus Room”, a place to pause and reflect.

At its centre stands an opened wooden shrine, whose gilded interior is empty. A symbol for the fact, that Viennese musical life has never recovered from the expulsion and murder of many of its composers and performers by the Nazis. What may have been inside the golden shrine has long since emigrated – scattered to the four winds.